From 25 November – 9 January, Galerie Fons Welters in Amsterdam hosts ‘One tear at a time’ by Femmy Otten. Yes The Void publishes an interview by Charlotte Crevits.
A poem by stained glass artist and poet Alison Grace Koehler from Stained Glass Poetry (Paris Heretics, 2020). Photographs by: Yann Lagoutte.
Hans Janssen, Amphilon.
Te zien tijdens de tentoonstelling ‘Menselijk, al te menselijk. Tragiek en vreugde, religie en cultuur’, 10 januari-19 april 2020 in het Musiom – huis voor hedendaagse kunst, Amersfoort.
Femmy Otten, Same Bed, Different Dreams, 2018, oil on canvas, frame, 37 x 27,5 cm. Photo: Gert Jan van Rooij.
Performance live Skype et exposition durant Fin De Partie – Festival Du Film De Fesses #5 – du peep show en 1984 à la cam girl en 2018. Que serait Jane Henderson en 2018? Revival d’une scène de Paris Texas, de Wim Wenders (1 Julliet 2018). Stylisme: Abigail Tiecoura.
“Me” as “I”: I relate all the time to an “Other” as someone else; and in these relations I focus my self-understanding through the ‘skin’ – both physical and metaphorical – of my surroundings by means of embodiment. We are wholly affected by sharing this membrane which is landscape of architecture: the body of the space, the public space, where we live, where we build a life and society, where we can ask “Who are you?”… “Who am I?”
[An essay by Maria Kulikovska]
